28 Sep Western Design: Second Chances
Schlauch Bottcher Construction
For a longtime Big Sky family, a new build from the ground up wasn’t so much about having a fresh experience as it was about preserving and expanding on what they loved about their old home. The East Coast-based family of six had long outgrown their Montana condo, but were loath to give it up. They loved its location, views, and the sense of family togetherness that it fostered. For the new home (which was selected after viewing multiple properties with Locati Architects, buying an existing home, exploring a renovation, then ultimately deciding to start over), the focus would be on sense of place and connectivity.
“They knew what they loved about the area, as well as what they loved about the old residence,” explains Locati’s Darin Hoekema. “The experience of the sunrise is something the owners had had and were set on for a new residence. We were able to create that experience of enjoying the sunrise from the kitchen, the dining room, and the outdoor spaces. A key element [for them] was standing at the kitchen sink, simply sipping a cup of coffee and watching the sun rise. And as the sun rises, the hill comes alive at the same time, and you see the rest of the world waking up.”
The clients’ main goal was to embrace the traditional mountain aesthetic of their previous home while building a larger home that could accommodate extended family and friends and offer multiple amenities, including a mudroom, billiards room, bar, ski room, hearth room, TV lounge, glass-walled office, lofted sitting room, workout room with cedar-lined sauna, and guest bedrooms. The architect designed the three-level structure in a U shape to screen nearby neighbors, then based the entry sequence on the iconic view of Lone Peak. After parking in the courtyard, guests are drawn to the front door by the two-story glass lantern to its left, which frames a dramatic modern staircase. The sense of openness and transparency is evident from the moment of entry, as the architecture leads the eye right through the house to the deck and landscape beyond. “It was one of the toughest design elements [to create] in the house,” notes Hoekema, “but it’s usually the toughest challenges you face as an architect that lead to the most successful outcomes.”
The home’s aesthetic is a refreshed version of traditional, which Locati achieved by using classic materials — stone, wood, timbers — then adapting the fit and form of those materials. From the driveway, the paving transitions to gray sandstone, then the same stone and pattern are carried into the foyer and through to the deck, anchoring all the spaces and emphasizing the indoor/outdoor connection. Stone veneer and large timber plank sections are also carried from outside in, and from inside out, to enhance connectivity. While the prevailing palette is neutral, dramatic moments abound: in the central staircase, with its extraordinary three-dimensional wall of walnut panels; in the monumental timbers and truss work of the great room; in the glass-cornered dining room, which cantilevers out over the lower level; in the glass-walled office and upper-level glass bridge; and, of course, in the site itself.When it came to interiors, says Locati’s lead designer, Amanda Heys, from the start of the project the owners were clear and consistent about three things: They preferred a neutral palette, relying on texture and unique detail rather than color for interest; they wanted to be able to host a crowd at all times; and they wanted the furnishings to be indestructible. The result was a dining table that can seat 16 and the inclusion of six barstools, rather than the customary four, so that the kids could bring their friends over. High-performance fabrics hold up to wine spills and rough treatment. Statement lighting — including hand-blown custom glass orbs from local artisan Ona Magaro — adds sculptural interest. As for the neutral palette, the calmness and serenity it creates provides the perfect backdrop for the grandeur of the architecture and landscape.
Interior fabric finishes were established from interior stone colors, Heys explains. “You’ll see grays and tans and rich browns and a little bit of rust. We tried to play with texture and material changes to compensate for the neutral palette and bring in interest. Once everything fell into place, we said, ‘Wow, this works!’ You see so much design and architecture repeated, on Pinterest or wherever, but you don’t come across this look very often. I think the neutral palette allows the wood to pop, and it allows you to take in the architecture and one of the best views at the Yellowstone Club.”
The home’s ample size is belied by its sense of connection, an imperative for this family-centric home. Throughout the design process, the goal of encouraging interaction was paramount. For instance, while some bedrooms are remote, the central staircase ensures that everyone circulates through the heart of the home. “When they’re there,” explains Heys, “they all like to be together all the time.” Whether milling around in the kitchen, doing a puzzle or shooting pool downstairs, hanging out in the hot tub, or throwing sleeping bags down in the loft lounge so they can camp out together, “They enjoy every part of the house as a group.”
In the end, the family got what they wanted without losing what kept them coming back to Big Sky, explains the architect. “There were a lot of things they did love: the mountain-architecture vibe and the setting, as well as experiential things, like how the sunlight came in in the morning, and the views. We were able to carry those through with this project; we were able to bring them in, expand on them, reinterpret and freshen up all those things.”
Chase Reynolds Ewald has been writing about Western design, food, art, travel, and rustic style for more than 25 years. A consultant and freelancer, her recent books include National Outdoor Book Award winner Bison: Portrait of an Icon, her sixth collaboration with photographer Audrey Hall; Modern Americana; and At Home in the Wine Country; chasereynoldsewald.com.
Peter and Kelley Gibeon began their path of collaboration in 2003. Based in the Mountain West, this husband-and-wife duo specializes in luxury architectural and interior design photography. Featured in numerous publications, their passion for their clients and craft shines through in every frame.